First Snow at The Farmers' Museum, Fall 2011

In the Leatherstocking Region it isn't unusual to get the first snow before Halloween.  Our first good snowfall was the evening of Oct. 27th.  The morning of Oct. 28th dawned clear and snowcovered.

The Empire State Carousel looks smart decked out in snow and still flanked by fall foliage!

It looks frosty in the Historic Village today.

The Lippitt Farmstead has a blanket of white.

Buck and Bright are out in the snow, and are complaining that they haven't gotten their morning hay yet!

The First Snow makes for a pretty day at The Farmers' Museum.  Most of this snow will be gone by the end of the day.  It is just a taste of what is still to come.

Making Hammer Handles - Splitting out the wood.

In the traditional Blacksmith shop at The Farmers’ Museum we make and repair tools as needed. Several times a year we need to make a new ash hammer handle. We have discussed in the past how a Froe is used to split out the billets of wood to make the handles. Then we use the drawknife and Shaving Horse to shape the handle. But where to we get the billets of wood to start with? They don’t look like modern lumber.

We are fortunate to have many acres of forest as part of our farm. This fall both Hurricane Irene and Tropical Storm Lee brought high winds to our area this fall (2011). Several mature Ash trees were uprooted in the woods. As the damage is cleared we put aside some logs to make tool handles and other things.  One foot, two foot, and three foot sections went in the shed to make hammer and sledgehammer handles. 

Using an axe, a sledge and wedges, and a mallet and froe we split up the wood into billets to dry for future tool handles. First the logs were split into halves, then quarters, then eighths. Sap and heart wood is split off if it looks weak. Knotty pieces not good for handles go into the kindling pile.

The Froe is used to split off the bark and wet cambium layer. The resulting billets are sqaure or keystone shaped in cross section.  This will let the handle billets dry evenly and be less likely to check.

Some may be used for hammers. Other to make chisel, screwdriver, or file handles. It is good to have a stockpile against future need.

Blacksmith's Coal: Filling the Coal Bin for another year!

Each year our shop uses about two tons of bituminous coal. Our fires are burning in the forge seven days a week for half the year, and are busy throughout the winter months as well. Each fall it is our chore to refill the coal bunker.  It is a woeful site to see an empty coal bin!  You can see the line from the coal when full on the bricks of the upper right side of the coal bunker.

The Fields Blacksmith Shop coal bunker built into the hill behind the shop. It is like a stone and brick tunnel that goes 14 feet into the hillside underground. There is no way to put coal into it from the outside. All the coal is hauled through the shop and into the bin using a wheelbarrow.

The coal to fill the bin is waiting outside the shop. We shovel a wheelbarrow full of coal and wheel it through the shop. Weave it around the anvil and tools then push it up a ramp. Keep pushing hard as it plows through the coal and stop when you reach the back wall. Pull one of the removable sides off the wheelbarrow and dump it sideways. As the coal piles up the roof is too low to dump the barrow forward!

Keep loading and pushing the wheelbarrow. It takes 15 shovel loads to fill the wheelbarrow. Each load make a small difference in the pile. It may take around 100 loads to get it all in. Here is what the pile looks like after 35 loads have been taken into the coal bin. We are making progress! Only 65 more trips!

After bringing in 5 wheelbarrow loads a shovel is used to level the pile in the bunker. You have to make a path for the wheelbarrow to drive up the coal to dump the next 5 loads! Keep piling it up until the wheelbarrow won’t fit over the coal and starts hitting the roof. Then keep filling in front of the pile until the coal bin is full. 

It is a long and steady job to fill the coal bin for the next year. It usually take us about two weeks. We try to do at least an hour of moving coal each morning. It is better to move the coal in a light rain, as then the damp coal doesn’t make any dust. It isn’t much fun loading coal in a cold September drizzle. Hopefully we will get it done before October.  At least when it is done the coal will  be stored accessible from inside the shop and dry.  We won't have to go outside in the winter and shovel a path through the snow to get some coal!

Coal is something that warms you twice.  You are warmed once when you move it and again when you burn it!  If you visit the Fields Blacksmith Shop you can see for yourself how much progress we have made, and how much is in our coal bin. 

For the want of a little forged hook - Making Hardware at the Blacksmith Shop.

Our Blacksmith shop has played a restoration and repair role within The Farmers’ Museum since 1946.

We never know what project will come in next for repair or what will need to be made. One of the smallest jobs this July was a request from the Farmers for a small hook. It proved to be a small job with an important effect!

The Farmers came to the shop and said,


“We need a little forged hook.”

I asked, “Why to you need a hook?”

They replied, “To hold a string.”

I wondered, “Why do you need to hold the string?”

They replied, “To hold the door.”

I asked, “What door?”

They replied, “The Brooder House door."

"What does the Brooder House do?"

“It holds the hen that sits on the eggs.”

So it turns out they needed a hook to hold the string,

They needed the string to hold the door,

the door to that closes the Brooder House,

the Brooder House that holds the hen,

the hen that sits on the eggs,

the eggs to hatch eleven chicks!

Which the little hen did!

So indirectly my little hook led to there being eleven new Dominick chicks at The Farmers’ Museum! Little things like forged hooks and unhatched eggs can have big results. 

Introduction to Engraving Steel - Classes coming in August and October 2011!

We teach a wide variety of classes in traditional craft at The Farmers' Museum.  I am particularly proud to offer a new class on engraving steel using traditional hand tools.  The instructor is Paul Spaulding, Master Blacksmith and the engraver of our Scottish Pistol Project.  He will guide students through the theory and methods of engraving steel.  Each class will have a maximum of 6 students.  All will have a full set of tools provided to practice engraving.

The Introduction to Engraving Steel with Hand Tools is a two day class.  The cost is $150 for a two day class with group and individual tutorials.  It is offered August 6th and 7th, as well as October 8th and 9th.  The August class has openings.  For more information or to enroll call The Farmers' Museum at 607-547-1461. 

Students will learn tips on how to design and lay out projects, and the basic methods of using a hand engraver and hammer to engrave steel.  Attention will also be spent on how to choose the type of engraving chisel for the work as well as how to sharpen, hold, and use the engravers. 

You are not likely to have mastered engraving by the end of the course but will have a firm foundation to begin practicing on your own.  If you have an urge to try your hand at engraving steel using simple traditional tools this may be the place to start!

Making Tools for the Anvil: Bottom Swage

One of the pleasures of blacksmithing is the ability to make new tools as needed. We needed some bottom swages for use in the anvil to complete a current project. We made them as needed. This is just one way to make them, as it suited the tools available in our traditional shop.

Start with a piece of steel with enough mass for the tools.  In this case we used a piece of steel cut from a hammer head.  Square it to the desired size and start the job.

Any tool used in the anvil needs a square stem to hold it in place in the square Hardy hole of the anvil.  We achieved this by fullering the piece down to the desired size using a handled fuller, a striker with a sledge hammer, and the anvil.

Fullering the hardy stem:

Here you can see we have the hardy stem well formed:

Once the hardy stem is done, it is time to shape the working end.  The face of the tool is taken to a forging heat, placed in the hardy hole, and the appropriate sized groove sunk into the face by driving a tool into the hot steel.

Sinking the die impression:

We cleaned up the forged die with a rasp (file) while it was still hot.:

Then we examined the die for problems or areas that need more work:



Here is the finished die and one of the collar pieces it was created to shape:

Some projects require making more tools than others.  Our ongoing weathervane project has led to the making of custom tongs and two sizes of bottom swage tools for the anvil.  Now that we have these tools, it expands the options of tools that can be used for future projects.

Old Anvils

The 1827 Peleg Field Blacksmith Shop is lucky to be so well-equipped with anvils.  They are the fundamental, cornerstone tool of the shop.  

Our oldest anvil is probably much like one that Mr. Peleg Field would have seen and used during his apprenticeship in the 1780’s.  It is an English pattern “5^th foot” anvil.  That nickname comes from that fact that it has 5 feet, not 4!  Chunky and squat, this style of anvil was made by teams of trained smiths working to forge the anvil from up to 11 pieces of wrought iron and then forge welding a steel plate onto the face.  While often only around 120lbs, this would have been a blacksmith shop primary anvil in the 19^th century.  This style with the 5^th foot harkens back to features found on anvils in the 17^th and even 16^th centuries.

This Vulcan Works anvil from Sheffield is a transitional anvil (below).  Probably made in the late 18^th or  first third of the 19^th century, it bridges the gap between the small and squat older style and the larger and longer London or American Pattern.  This anvil still has the small horn of the earlier style but also has the thinner heel of the London Pattern.

The Peter Wright anvil below was made in London, England in the mid-19^th century.  It is the shape that most people recognize in the United States as a modern anvil.  It is around 155lbs.  The larger horn and long thin heel of the anvil face makes this a versatile tool.  This is the anvil we use at the front forge in the Field Blacksmith shop.

At the back forge is a larger anvil made in the same style as the Peter Wright at the front forge.   Larger than the previous anvil, it is around 180lbs.  You can feel the benefit of that extra mass when using it.  It provides a very solid surface for larger work like hinges and wagon parts.

Anvils were such common tools in daily life and last such a long time, that there is a surprising amount of diversity among old anvils.  Unlike other items that are 150 to 300 years old, anvils are generally considered tools rather than antiques.  With good care, these anvils will be in use as we work and demonstrate to the public for decades to come.